A sculptural intervention, a kind of anti-monument atop the parking garage.

Its cellphone mast is adorned with props and trinkets in a composition that blends registers of the intimate, extimate and advertising.

Mimosa Echard creates hybrid ecosystems where the living and non-living, human and non-human cohabit. Stepping back from a black-and-white vision of the world, the artist explores ambivalences and contradictions, zones of contamination and pollution. Continuing her practice in relation to electromagnetic waves and the invisible, the artist has dreamed up a sculptural intervention on the 5G mast on top of the parking garage, which reveals itself to the visitor upon completion of a spiral ascent.  The antenna is adorned with props and trinkets in a composition that blends registers of the intimate, extimate and advertising. The elements of this visual poem, apparently escaping from the data traffic controlled by the antenna, make tangible its central function in the mass circulation of images.

With the patronage of TOTEM with the support of Indigo.
This project benefits from funding by the Ministry of Culture as part of its program to support art commissions.

Neïl Beloufa plays with the codes of a hyper-connected world.

The visitor is at the heart of this playful yet political interactive installation within the hub that is Les Carmes parking garage. From the first car to the second car, by the choices they make, visitors interact, engendering a unique story. After dissecting mechanisms of the representation of power in his videos and installations, Neïl Beloufa plays with the codes of a hyper-connected world and probes the way that AI impacts the making of stories.
With ebb.global, the production company he founded, Neïl Beloufa experiments with the output of artificial intelligence, from the outstanding to the egregious.

Production: ebb.global
Creative directors: Neïl Beloufa, Bertrand Bourdeil

With the support of Indigo and Surplus Recyclage.